This week, I’ve been most intrigued with things children’s authors have said. Some of the quotes are included below, but there are many more gems at the links. Image by flickr user Tim Geers, used under a CC BY-SA 2.0 license.
ONE. Children’s books are never just for children. A Guardian article that brilliantly shows just how important getting children’s books right is: so why aren’t they considered for awards? Neil Gaiman has some beautiful words, below, to say about kids’ stories. (As do many other authors.)
When I’m writing for kids, I’m always assuming that a story, if it is loved, is going to be re-read. So I try and be much more conscious of it than I am with adults, just in terms of word choices. I once said that while I could not justify every word in American Gods, I can justify every single word in Coraline.
TWO. John Green is often attributed quotes that he has never written. This is probably the biggest mistaken attribution yet. But I love the honesty in this video; I don’t watch every video, but I do love it when I come across one that is memorable. This is a memorable vlog.
I’m in love with cities I’ve never been to and people I’ll never meet.
Not John Green
THREE. Garth Nix gave a super interesting interview with The Hub. He talks about his younger self and a little about infusing his writing with his morals (dangerous ground). A little fact you might not have known about Nix: he grew up in Canberra and…
From about fourteen, I thought I would become an officer in the Australian Army. I planned to go to our military college and get my degree there and have a career in the army.
FOUR. Another Neil Gaiman! He had an interview with the Telegraph as his new book The Sleeper and the Spindle was coming out.
You don’t need princes to save you. I don’t have a lot of patience for stories in which women are rescued by men.
FIVE. YA writers talk about their writing habits and how they create their characters that feel real. It’s a brilliant (long) article that is definitely worth the time.
The defining characteristic of YA literature is emotional truth. Even if we’re not the same as the characters we read, they are all dealing with things—issues of who they are, who they should be, what they should and shouldn’t do—that we all deal with, in their own ways. With The Hunger Games, even if we will never be in Katniss’s shoes, the decisions she makes make emotional sense to us—even when she makes the wrong ones.